Tegomass no Seishun album review
Feb. 4th, 2014 06:58 pmBecause I was inspired by this. Ah, no, it's because I've been wanting to post album reviews of my favorite artists' songs, and for a scatterbrain like me it was nearly impossible to do that... But now I have inspirationsssss (Yes, emphasis on the s), and I've formulated a draft nights ago~ So here we go! ♪♫
Album: Tegomass no Seishun
Artist: テゴマス
Release date: January 22, 2014
Tracks: 12 (+2 in the limited edition)

► L-R: regular and limited edition jacket covers ◄
Tegomass' youth... These two are adults already, not just literally, but by the experience they have as singers, and it somehow showed in this album. Why 'somehow'? Because as the title implies, it is about Tegomass' youth. The tracks, analyze it or not, gives this 'childhood' feeling, like Tegomass is going back to the basics all over again. I'm not saying they hadn't matured enough; in fact, I could not imagine the songs from this album sung/released in earlier years. In other words Tegomass no Seishun (TMnS) is a perfect merge of maturity and youthful vigor in one.
Compared to the previous albums, TMnS is like Tegomass no Mahou who strictly adheres to its theme. Tegomass no Uta is a mix of different styles that you wouldn't really know what is the prevailing theme (if there is any, as uta means 'song' and they must've really experimented a lot in this one). Tegomass no Ai is a mini-album, which means only a few songs to analyze, and so it give a slight impression of what the theme is supposedly about. Meanwhile, Tegomass no Mahou is relevant. You can really hear the 'magic' the album wants you to hear. And TMnS is basically the same. To stick to the theme, I think it's a good thing!
So... How were the songs arranged and executed? How is the 'youth' factor shown?
( Read more... )
Song by song comments:
01 Aoiro Juvenile (Soshoku Juvenile)
The first song in the album is a feel-good song that obviously pertains to youth; thus the light melody. It starts with an acoustic guitar solo and then the bass and other instruments throwing in good measures. The melody was like a faster bossa nova (percussion is a winner!) with a touch of festivity. I can imagine banners or flaglets swayed by the wind~ children running~ and well, Tegomass (LOL). After a trumpet blow came in Tegoshi's voice. Massu wasn't there until the second stanza, and the usual harmonization happened, essentially throughout the song. No falsettos nor belting, as it really is light. At some part in the chorus I remembered Marui Chikara but that's just because of the first few notes in that part. Otherwise, Aoiro Juvenile is simply feel-good.
02 Harumeki
This I think has resemblance to TMnM's Yuuyake to Koi to Jitensha. But this has prominent strings (violins, etc) while Yuuyake has prominent electric guitar sound. Don't get me wrong, Harumeki has guitars too but comparing to Yuuyake, the guitar's prominence is relatively low. They have same key signatures (E♭ major), piano ornaments, and aggressive attack by Tegomass in every line. This is an upbeat, energetic song, telling the signs of spring.Oh, so the perfect song for Aries zodiac sign!
( Read more... )
Songs ranking:
After a week of non-stop listening to these songs I've come up with a ranking!
Except for Sayonara ni Sayonara and Neko Chuudoku, here is my ranking, in ascending order (12 to 1)
#12 Shounen ~Re:Story~
#11 Tsuki no Tomodachi
#10 Itsuka no Machi
#9 innocence
#8 Aoiro Juvenile
#7 Hikari
#6 Time Machine
#5 Harumeki
#4 Iro Azayakana Kimi ga Egaku Asu no e
#3 Kireigoto
#2 Fantajia
#1 DONUTS
It's no surprise that two of the tracks that sound like coming from Tegomass no Mahou (Fantajia and Harumeki) are included in my top 5. I love the mahou feel, fyi. ♪ As for DONUTS and Iro Azayakana Kimi ga Egaku Asu no e, they both make me highand even happily delusional! With DONUTS, I'm in a musical. In Iro Azayakana, I'm at a farm. Kireigoto is just fantastic, it's just ♥!! and Tegoshi's voice is so heavenly~
Album: Tegomass no Seishun
Artist: テゴマス
Release date: January 22, 2014
Tracks: 12 (+2 in the limited edition)


► L-R: regular and limited edition jacket covers ◄
General comments:
Tegomass' youth... These two are adults already, not just literally, but by the experience they have as singers, and it somehow showed in this album. Why 'somehow'? Because as the title implies, it is about Tegomass' youth. The tracks, analyze it or not, gives this 'childhood' feeling, like Tegomass is going back to the basics all over again. I'm not saying they hadn't matured enough; in fact, I could not imagine the songs from this album sung/released in earlier years. In other words Tegomass no Seishun (TMnS) is a perfect merge of maturity and youthful vigor in one.
Compared to the previous albums, TMnS is like Tegomass no Mahou who strictly adheres to its theme. Tegomass no Uta is a mix of different styles that you wouldn't really know what is the prevailing theme (if there is any, as uta means 'song' and they must've really experimented a lot in this one). Tegomass no Ai is a mini-album, which means only a few songs to analyze, and so it give a slight impression of what the theme is supposedly about. Meanwhile, Tegomass no Mahou is relevant. You can really hear the 'magic' the album wants you to hear. And TMnS is basically the same. To stick to the theme, I think it's a good thing!
So... How were the songs arranged and executed? How is the 'youth' factor shown?
( Read more... )
► The promotional video (PV) for 'Hikari'
Song by song comments:
01 Aoiro Juvenile (Soshoku Juvenile)
The first song in the album is a feel-good song that obviously pertains to youth; thus the light melody. It starts with an acoustic guitar solo and then the bass and other instruments throwing in good measures. The melody was like a faster bossa nova (percussion is a winner!) with a touch of festivity. I can imagine banners or flaglets swayed by the wind~ children running~ and well, Tegomass (LOL). After a trumpet blow came in Tegoshi's voice. Massu wasn't there until the second stanza, and the usual harmonization happened, essentially throughout the song. No falsettos nor belting, as it really is light. At some part in the chorus I remembered Marui Chikara but that's just because of the first few notes in that part. Otherwise, Aoiro Juvenile is simply feel-good.
02 Harumeki
This I think has resemblance to TMnM's Yuuyake to Koi to Jitensha. But this has prominent strings (violins, etc) while Yuuyake has prominent electric guitar sound. Don't get me wrong, Harumeki has guitars too but comparing to Yuuyake, the guitar's prominence is relatively low. They have same key signatures (E♭ major), piano ornaments, and aggressive attack by Tegomass in every line. This is an upbeat, energetic song, telling the signs of spring.
( Read more... )
Songs ranking:
After a week of non-stop listening to these songs I've come up with a ranking!
Except for Sayonara ni Sayonara and Neko Chuudoku, here is my ranking, in ascending order (12 to 1)
#12 Shounen ~Re:Story~
#11 Tsuki no Tomodachi
#9 innocence
#8 Aoiro Juvenile
#7 Hikari
#6 Time Machine
#5 Harumeki
#4 Iro Azayakana Kimi ga Egaku Asu no e
#3 Kireigoto
#2 Fantajia
#1 DONUTS
It's no surprise that two of the tracks that sound like coming from Tegomass no Mahou (Fantajia and Harumeki) are included in my top 5. I love the mahou feel, fyi. ♪ As for DONUTS and Iro Azayakana Kimi ga Egaku Asu no e, they both make me high
Album rating: ♪ ♪ ♪ ♪ / four lovely eighth notes out of 5!
Download the album (including the PV and the making in one!) go to
rockthecliche, track-by-track download is at
finay, and if you just want to listen go here @ addictdesu. For the lyrics and translations, go to
aitamashii :)
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